Wow
03/10/08
In thinking about this past weekend's performances, "Wow" is what comes to mind.
1) Wow, what a terrific piece Jennifer Higdon's percussion concerto is. Gripping from the start, evocative throughout, and a thorough examination of the wide range of expression percussion is capable of. This is not just a big drum jam session - there is as much tenderness as bombast.
2) Wow, what a tremendously talented musician Chris Rose is. I honestly don't know how I can adequately describe the magnitude of his accomplishment. I knew he was good, but I never could have imagined the polish, the unabashed virtuosity, the musicality, and the utter mastery of this incredibly difficult concerto. He rocked the Forum.
3) Wow, what a great percussion section the HSO has. Jennifer's concerto is a virtuosic display for not not only the soloist, but also for the three percussionists and timpanist in the orchestra. They were all simply amazing - which fills me with great pride.
4) Wow, the audience in "conservative" Harrisburg, PA can respond with not just enthusiasm, but with exultation for a great work of new music performed brilliantly. Virtually the entire audience was on its feet instantly following the final downbeat.
5) Wow, the Harrisburg Symphony can play anything, and well. This was no light-weight program. Every piece on the program is a killer, from the intensely difficult Walton Partita for Orchestra to the concerto (Jennifer does not let the orchestra sail through her concertos), to Ravel's La Valse (not only a technical workout, but stylistically tricky as well), to Rimsky-Korsakov's Capriccio Espagnol. We rehearsed very hard, and the orchestra, as always, showed up to play. This orchestra is a conductor's dream.
6) Wow, nice guys (or gals) do not always finish last. When I was at the Curtis Institute of Music (too many years ago), Jennifer Higdon was a composition student. She was a charming, down to earth, sweet person. She is now a superstar composer, and every bit as lovely as she was when we were kids at school. It was wonderful having her in town for the weekend, and she was so generous with her time, attending rehearsal, appearing at WITF for a live "Composing Thoughts" with John Clare, and doing pre-concert lectures and post-concert talkbacks with me. In all of this she was a bastion of energy and joy, forthcoming and good-natured. At the same time, Chris Rose is an equally lovely and unassuming guy, as easy-going and sweet as he is talented. What a pleasure!
This is the kind of concert that leaves me exhilarated and exhausted. They should all feel this good.
1) Wow, what a terrific piece Jennifer Higdon's percussion concerto is. Gripping from the start, evocative throughout, and a thorough examination of the wide range of expression percussion is capable of. This is not just a big drum jam session - there is as much tenderness as bombast.
2) Wow, what a tremendously talented musician Chris Rose is. I honestly don't know how I can adequately describe the magnitude of his accomplishment. I knew he was good, but I never could have imagined the polish, the unabashed virtuosity, the musicality, and the utter mastery of this incredibly difficult concerto. He rocked the Forum.
3) Wow, what a great percussion section the HSO has. Jennifer's concerto is a virtuosic display for not not only the soloist, but also for the three percussionists and timpanist in the orchestra. They were all simply amazing - which fills me with great pride.
4) Wow, the audience in "conservative" Harrisburg, PA can respond with not just enthusiasm, but with exultation for a great work of new music performed brilliantly. Virtually the entire audience was on its feet instantly following the final downbeat.
5) Wow, the Harrisburg Symphony can play anything, and well. This was no light-weight program. Every piece on the program is a killer, from the intensely difficult Walton Partita for Orchestra to the concerto (Jennifer does not let the orchestra sail through her concertos), to Ravel's La Valse (not only a technical workout, but stylistically tricky as well), to Rimsky-Korsakov's Capriccio Espagnol. We rehearsed very hard, and the orchestra, as always, showed up to play. This orchestra is a conductor's dream.
6) Wow, nice guys (or gals) do not always finish last. When I was at the Curtis Institute of Music (too many years ago), Jennifer Higdon was a composition student. She was a charming, down to earth, sweet person. She is now a superstar composer, and every bit as lovely as she was when we were kids at school. It was wonderful having her in town for the weekend, and she was so generous with her time, attending rehearsal, appearing at WITF for a live "Composing Thoughts" with John Clare, and doing pre-concert lectures and post-concert talkbacks with me. In all of this she was a bastion of energy and joy, forthcoming and good-natured. At the same time, Chris Rose is an equally lovely and unassuming guy, as easy-going and sweet as he is talented. What a pleasure!
This is the kind of concert that leaves me exhilarated and exhausted. They should all feel this good.
blog comments powered by Disqus